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Gauguin Portraits at the National Gallery
Paul Gauguin is known for his vibrant pictures primarily painted in Polynesia but he also painted portraits and more. The first-ever exhibition devoted to his portraits has opened in the Sainsbury Wing of the National Gallery in London’s Trafalgar Square.
Featuring over fifty works, the exhibition includes paintings, sculptures, prints and drawings. Pictures range from his early years as an artist through to his final visit to the South Seas.
Gauguin broke with accepted conventions and challenged audiences to expand their understanding of visual expression. Nowhere is this more evident than in his portraits where he revolutionised the portrait making his richer by incorporating situations and experiences. A lot of his work would not have been exactly as he saw it as he was inclined to turn things into something entirely different. He experimented with media, texture, colour and eclectic sources from both the east and the west oscillating between literal, imagined and symbolic likenesses. Initially working as a stockbroker he became a fulltime artist in the mid-1880s, abandoning his wife and five children.
Events related to the exhibition include on Friday, 1 November the Park Lane Group performing an evening of music by English composer Frederick Delius – a friend of Gauguin, alongside musical settings of poems by Stéphane Mallarmé.
On Saturday, 7 December experts discuss the realities of colonial Tahiti.
The exhibition runs until 26 January, 2020. Admission charge.
Open daily10 am – 6pm (to 9pm Friday)
nationalgallery.org.uk T. 0800 912 6958
London is experiencing an exciting time with the opening of so many vibrant art exhibitions. Opening on Thursday, 11 April at the British Museum is the largest exhibition of prints by Edvard Munch in the UK for 45 years.
A pioneer of modern art, the exhibition of 83 works by Munch, includes many loaned from the Munch Museum in Oslo. Best known as a painter, and particularly for his painting The Scream which the Director of the Munch Museum in his opening speech of the exhibition described as an example of Brexit. Munch is quoted as saying of his painting when he saw the sky going red ‘I sensed an infinite scream passing through nature.’
The exhibition focuses on his creative period of printmaking between the 1890s and the end of the First World War in 1918 when he established his reputation, demonstrating his skill and creativity in expressing the feelings and experiences of the human condition. This stretched from love and desire, to jealousy, loneliness, anxiety and grief. The exhibition also shows how Munch’s artistic vision was shaped by the radical ideas expressed in art, literature, science, and theatre in Europe during his lifetime.
The pictures relate to events of the period separated by themes – Bohemians and free love, love in torment, anguish and isolation, sickness and death, stage and performance, ending with the home coming.
The exhibition which runs until 21 July, 2019 is accompanied by a series of evening talks. http://www.britishmuseum.org/whats_on/exhibitions/munch/events.aspx
Adult tickets £17.00. £14.00 on Mondays. Under 16s free. On Fridays, students and 16 -18s can enjoy 2-for-1 tickets.
Booking in advance recommended.
Sir Joseph Hotung Great Court Gallery,
Great Russell Street, London WC1B 3DG.
T. 020 7323 8181
The EY Exhibition: Van Gogh and Britain
The Van Gogh and Britain Exhibition which has opened at London’s Tate Britain brings together the largest group of the artist’s paintings to be shown in the UK for nearly a decade. It is the first major exhibition to explore the impact of British culture on Van Gogh as well as the legacy of his art in the works of British painters.
Over 50 paintings and drawings include lesser-known works now in private hands. The exhibition reveals Van Gogh’s enthusiasm for British culture and includes paintings by John Constable and John Everett Millais. The Van Gogh we know was developed in London at a time of descent. He was an admirer of graphics, and was influenced by writers such as Dickens and Elliott. For him it was important to work from first hand experience, and has been described as a painter of the people for the people. Van Gogh Shoes became famous for its associations with the artist’s poor, hard working life.
For the first time, Van Gogh’s Sunflowers 1888 is shown alongside the British artwork that it inspired, and which contributed to a renaissance in British flower painting. The painting was given to Britain’s national collection in the 1920’s.
Many of Van Gogh’s paintings were done in the latter part of his life including The Prison Courtyard, the only one he painted of London. Also in the exhibition is the painting The Oise at Auvers which has also been reconstructed in a digital version. Although its colours have faded, the painting has been brought back to life by the Tate’s conservation team who were able to reconstruct it as it was originally. The exhibition concludes with a group of portraits by Francis Bacon based on a Van Gogh self-portrait.
The exhibition, sponsored by EY, includes a programme of talks and events. The Tate’s new podcast The Art of Creativity asks questions about the traditional association between mental health and creativity. Listen for free at: tate.org.uk/art-of-creativity
The exhibition runs until 11 Aug 2019.
Tate Britain, Millbank, London SW1P 4RG.
T. 020 7887 8888 http://www.tate.org.uk
The Bastian Gallery in the heart of Mayfair has opened with an exhibition of over 60 polaroid pictures taken by Andy Warhol.
The photographs which are quite small 4.3″ x 3.4″ are preparatory works for Warhol’s silkscreen portraits. The majority feature easily recognisable famous celebrities among them David Hockney, Jane Fonda, and John Lennon in the 1970s and ’80s.
The Big Shot camera was an integral tool of Warhol’s from the early 1970s until his death in 1987. The photographs portray the beginnings of an era and society defined by image and illusion.
Forty six of the framed photographs are being sold as a collection. Also on sale is a coffee table book.
8 Davies Street, London W1K 3DW.
Open Tuesday to Saturday 10am – 6pm
Exhibition runs until 13 April, 2019
T. 020 3940 5009
The latest must-see exhibition to come to London is Christian Dior: Designer of Dreams which opened at London’s Victoria &Albert’s Sainsbury Gallery.
The exhibition, the largest and most comprehensive, to be staged in the UK on the House of Dior is based on the major exhibition Christian Dior: Couturier du Rêve organized by the Musée des Arts Décoratifs in Paris. Divided into 11 areas, a new section explores the designer’s fascination with British Culture. The exhibition investigates Dior’s creative collaborations with British manufacturers including Dents (gloves), Rayne (shoes) Lyle & Scott (knitwear) and Mitchel Maer (costume jewellery).
Over 500 objects includes 200 rare Haute Couture garments shown alongside accessories, fashion photography, film, vintage perfume original make-up illustrations, magazines, and Dior’s personal possessions.
Dior was born into a wealthy Normandy family but when the family fortune collapsed he was forced to make a living, taking up fashion drawing. In 1946 he founded the House of Dior, and launched its first collection the following year. Dubbed the ‘New Look’ by the press, the collection had an instant and unparalleled influence on fashion around the world. His legacy has continued under six Creative Directors Yves St Laurent, John Galliano, Marc Bohan, Gianfranco Ferré, Raf Simons, and Maria Grazia Chiuri their current, and first female creative director.
Swarovski, whose crystals shimmer in many of the designs, supports the exhibition. With the foundation of his house, Dior always envisioned a total look for his clients. People who never visited Paris can still buy his perfume, jewellery, gloves and stockings.
The exhibition runs until Sunday, 1 September 2019.
Tickets from £20. Concessions: £15.
The Sainsbury Gallery, Victoria & Albert Museum,
Exhibition Road, Kensington, London SW7 2RL.
Open daily 10.00 – 17.45 Friday to 22.00
T. 020 7942 2000
Considered one of the great colourists of the early 20th century an exhibition by Pierre Bonnard of 100 of his works : the Colour of Memory has opened at London’s Tate Modern.
The exhibition shows how he constructed vibrant landscapes and intimate domestic scenes through the process of reimagining. Bonnard is known for his intimate, domestic interiors and brightly coloured landscapes bridging both Impressionism and Modernism. Bonnard preferred to work from memory which allowed his paintings to become more abstract. The artist’s wife Marthe de Méligny was a continual subject.
Bonnard’s intense colours and modern compositions transformed painting in the first half of the 20thcentury. Several of his works are exhibited out of their frames to create a sense of how they would have hung in the artist’s studio. Rather than using an easel, Bonnard chose to pin his canvases directly on the wall while working. This allowed him to roll up his canvases, and take them with him when he travelled between homes in the North and South of France. The unframed pictures also reveal how Bonnard painted very close to the edge of his canvas, sometimes painting a line to show where the frame would go.
Alongside the paintings are 15 photographs providing an intimate portrait of the couple’s domestic life.
Related events include relaxing yoga, and brunch on 26 January, and 2 and 9 February which includes a visit to the exhibition.
The exhibition in the Eyal Ofer Galleries of the Tate Modern runs until 6 May 2019.
Open daily 10.00 – 18.00 and until 22.00 Friday and Saturday
www.tate.org.uk T. 020 7887 8888
Having the opportunity of visiting the Queen’s Gallery is an experience in itself as the complex is part of Buckingham Palace of which the chapel is now the Nash Gallery.
Two exhibitions Russia: Royalty & the Romanovs and Shadows of War: Roger Fenton’s Photographs of the Crimea 1855 have just opened.
For more than 300 years Britain has been linked to Russia through exploration and discovery, diplomatic alliances and, latterly, by familial and dynastic ties. In 1874 the British Royal family and the Russian Imperial family were united by direct dynastic marriage.
The exhibition explores the relationship between Britain and Russia and their royal families until 1956, through works of art in the Royal Collection, many of which were acquired through the personal exchange of gifts. Works include paintings and items by Carl Fabergé.
The exhibition runs until 28 April 2019, with Shadows of War: Roger Fenton’s Photographs of the Crimea, 1855 which is the first exhibition to focus exclusively on Roger Fenton’s pioneering photographs of the Crimean War, taken in 1855. The photographs show, for the first time, the impact of war to the general public . Through his often subtle and poetic interpretations Fenton created the genre of war photography, which captured the futility of war.
Visitor information and tickets – A bonus – visitors can enjoy free re-admission for a year if they ask for their ticket to be treated as a donation.
T. 030 3123 7301 Queen’s Gallery
I must confess that, as a lover of Impressionism, being invited to the opening of the Courtauld Impressionists ‘From Manet to Cezanne ‘ at London’s National Gallery which opens tomorrow 17 September was a definite must.
The exhibition is made up of two collections of art donated by Samuel Courtauld – those from the Courtauld Gallery at Somerset House which is closed for 2 years for renovation, and that of the National Collection which Samuel Courtauld contributed to. The exhibition of over forty works does not include all of the paintings from either collection.
From ‘Manet to Cezanne’ traces the development of modern French painting from the 1860s to the turn of the 20th century. Arranged chronologically in 12 sections – each devoted to a different artist with a brief description about the artist includes the works of Renoir, Degas, Manet, Monet, Cezanne, and Gauguin. The exhibition also focuses on the vision, taste, and motivation of Samuel Courtauld and his wife. Full length photographs of the paintings show how they were displayed in their home, Home House in Portman Square, which is now a private club.
The exhibition in the Wohl Galleries runs until 20 January 2019. September after which the exhibition will go on tour so people around the country can enjoy it too.
The National Gallery, which has free entry, has kept some of its own permanent collection including Van Gogh’s Chair and Sun Flowers so that visitors who don’t wish to see the exhibition can still see some Impressionist paintings.
Admission £7.50. Members and under 12s free. (Ticket required)
www.nationalgallery.org.uk. T. 0800 912 6958
Based on the South Bank a few paces from the Tate Modern I am ashamed to say I had never been to Shakespeare’s Globe Theatre. Taking advantage of the wonderful weather I was fortunate enough to obtain tickets for Othello which is playing to packed audiences.
I researched the story before going which is always an advantage with Shakespeare’s plays as it makes it much more enjoyable to not have to work out what is going on.
The theatre is in the round with its facade and interior reconstructed as it would have been during Shakespeare’s time. There are tiers of wooden seats and unless you are well-padded it is worth hiring a cushion. I was fortunate to have a seat at the back which meant I had something to lean against. The poor man in front of me kept wriggling as he had nothing to lean on but my knees which he was too polite to do. Below us at ground level were lots of people who had bought standing tickets.
The Globe has an adjoining restaurant the Swan which although within the building is modern and airy, with views across and along the River Thames. The restaurant is on their second floor which is accessed via their first floor bar which also serves food. If going to the theatre, and you want to eat at the Globe, it is advisable to book in advance. Drinks can also be bought at kiosks incorporated into the exterior of the building. The theatre is well served for food with lots of restaurants virtually on its doorstep. Running until Saturday, 13 October.
21 New Globe Walk, Bankside, London SE1 9DT.
T. 020 7401 9919