New Changes to Pet Passport Scheme

Poppy

Poppy

New changes designed to improve the security and traceability of your pet have come into effect since 29 December 2014. The changes include a new style pet passport with a unique passport number printed on every page, laminated strips designed to cover the pages with the pet’s details, microchip information, and all rabies vaccinations entries. The vet issuing the pet passport will also need to fill in their details on a new ‘Issuing of the passport’ page and must make sure that all their contact details are included when they certify vaccinations and treatments.

Existing passports will remain valid for the lifetime of the pet or until all the treatment spaces have been filled.
If you travel with your pet in the EU you may be asked for your pet’s passport when entering another country.
All pets entering Britain on approved routes will continue to be checked by the carriers either prior to boarding, for rail or sea, or upon entry by air.

Your pet must be at least 12 weeks old before being vaccinated against rabies for the purposes of pet travel.
If you have more than five pets and wish to travel with them within the EU and/or return to the UK (unless you are going to a show or competition) you will need to comply with additional rules.

The main requirements of the scheme remain the same. All dogs, cats and ferrets travelling with their owner still require:
• micro-chipping
• a vaccination against rabies
• a blood test 30 days after vaccination if returning or travelling from an unlisted third country
• a pet passport issued by an authorised vet or third country certificate issued by an official vet
• a waiting period after primary vaccination and prior to travel:
– 21 days if travelling from another EU country or a listed third country
• a waiting period following blood sampling
– 3 months if travelling from an unlisted third country
• treatment against the EM tapeworm for dogs
Pet Travel Scheme Helpline:
T. 0370 241 1710 Mon – Fri 8am – 6pm (closed Bank Holidays)
www.gov.uk/government/news/changes-to-pet-passports-to-strengthen-travel-scheme
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Tate Britain – Victorian Sculpture & Photography

IMG_0600Two new exhibitions have opened at London’s Tate Britain Linbury Galleries. Sculpture Victorious and Salt and Silver: Early Photography 1840 – 1860.
Sculpture Victorius is the first major exhibition devoted to sculpture produced during Queen Victoria’s reign. The country had a monarch and a consort who commissioned and encouraged sculptors. Queen Victoria was the subject of more sculpture than any previous monarch. The State commissioned a range of sculpture and decoration to ornament the new Houses of Parliament. Gothic in design, most of the country’s leading sculptors were employed by architects Charles Barry and Augustus Pugin. The chamber of the House of Lords was IMG_0602decorated with 18 statues representing the barons and clergy who forced King John to agree to the terms of the Magna Carta. New scientific technologies made it possible for sculptors to work in a wider range of materials, and to mass-produce small-scale versions. The exhibition includes the sculpture of Lord Winchester, made with new technology.
Sculptors collaborated with manufacturers to create elaborate silverwork, jewellery and ceramic ornaments. Britain’s increasing marine power helped bring antiquities to the UK, and made it easier for artists to travel.
A curator’s tour with Greg Sullivan takes place on 17 April from 18.30 – 20.30 £15.
Sculpture Victorius runs until 25 May 2015.
IMG_0607Salt and Silver: Early Photography 1840 – 1860 is the first major exhibition in Britain devoted to salt, the earliest form of paper photography. The exhibition of 90 prints features some of the rarest and best early photographs in the world.
William Henry Fox Talbot unveiled his groundbreaking process in 1839. He made the prints by soaking paper in silver iodide salts to register a negative image which, when photographed again, created permanent paper positives. The photographs ranged in colour from sepia to violet, mulberry, terracotta, silver-grey, and charcoal-black and often had details drawn on. In an age of steam trains and ships, photographers travelled the world to capture traces of the past.
However, in an age of modern invention and innovation, the phenomenon of salt prints was soon replaced by new photographic processes.
The exhibition is accompanied by a programme of talks and events which will be held in the gallery.
Salt and Silver runs until 7 June 2015.
Open daily 10.00 – 18.00
Admission for each exhibition £10.90. A joint ticket £15.00. Under 12s go free.
www.tate.org.uk/britain T. 020 7887 8888
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New Concept Restaurant LARTE in Milan

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During a recent visit to Milan, we ate at a new concept Italian restaurant LARTE which is near to the renowned opera house, La Scala. It is open all day so people can drop in for a coffee or an aperitif as well as having a full blown breakfast, lunch and dinner.
It’s aim is to showcase the best of Italy by mixing food and wine with art and design. The Mediterranean cooking is based on fish, vegetables and the inevitable pasta, never to be missed from an Italian meal.
Not just a restaurant it is a retail outlet too with the furniture and decor, by renowned designers and artists, on sale. The kitchen is glassed with diners able to watch the chefs at work.

See through kitchen

See through kitchen


Open Monday – Saturday from 8am to 11pm
Via Manzoni 5, Milan
T. +39 02 890 96950 www.lartemilano.com/en/

My article on Milan can be read using this link on the website http://www.justabouttravel.net/2015/02/09/milan-more-than-a-fashionista-city/

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Sargent: Portraits of Artists and Friends

Claude Monet by the edge of a wood circa 1885

Claude Monet by the edge of a wood circa 1885

John Singer Sargent exhibition opens at London’s National Portrait Gallery tomorrow Thursday, February 12 and runs until May 25, 2015.
Sargent: Portraits of Artists and Friends explores the artist as a painter at the forefront of contemporary movements in the arts, music, literature and theatre, revealing the depth of his appreciation of culture and his close friendships with many of the leading artists, actors and writers of the time.
Organised in collaboration with New York’s Metropolitan Museum, the exhibition brings together, for the first time, a collection of the artist’s intimate and informal portraits of his impressive circle of friends including Robert Louis Stevenson, Claude Monet and Auguste Rodin.
Sargent’s portraits of his friends and contemporaries were rarely commissioned and allowed him to create more experimental works than was possible in his formal portraiture. His sitters are depicted in informal poses, sometimes in the act of painting or singing. These paintings form a distinctive strand in Sargent’s work which is noticeably more intimate, witty and radical than his commissioned portraits, and, when seen together in this exhibition, will challenge the conventional view of the artist.
John Singer Sargent, the son of American parents was born in Florence in 1856 and brought up in a very cosmopolitan atmosphere. He studied painting in Italy and France. In 1884, he caused a sensation at the Paris Salon with his painting Madame X (Madame Pierre Gautreau) which sadly is not on show but can be seen at the Metropolitan Museum of Art. The scandal caused Sargent to move to England, where in 1893 he was elected an associate of the Royal Academy, and subsequently a full member. In England he established himself as the country’s leading portrait painter while he also experimented with impressionism. During one of his visits to America he was commissioned to paint President Theodore Roosevelt. By 1907 he had largely abandoned portrait painting for murals and landscapes. He died in London in 1925 with his funeral taking place at St. Paul’s Cathedral.
Dr. Pozzi at home 1881

Dr. Pozzi at home 1881


A programme of events includes free ones for young people.
TICKETS: Adults £14.50 Concessions (seniors, children aged 12-18, students) £13.00
Sargent: Portraits of Artists and Friends transfers to The Metropolitan Museum of Art, New York from 30 June to 4 October 2015.
National Portrait Gallery, St Martin’s Place WC2H 0HE
Opening hours: Monday, Tuesday, Wednesday, Saturday, Sunday: 10am – 6pm (Gallery closure commences at 5.50pm) Late Opening: Thursday, Friday: 10am – 9pm (Gallery closure commences at 8.50pm)
Nearest Underground: Leicester Square/Charing Cross
General information: 0207 306 0055 Recorded information: 020 7312 2463
Website npg.org.uk/sargent

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Must-read Article by Journalist on Israel

Matti Friedman, AP journalist, spoke at a BICOM dinner in London. His speech is an absolute must-read.


One night several years ago, I came out of Bethlehem after a reporting assignment and crossed through the Israeli military checkpoint between that city and its neighbour, Jerusalem, where I live. With me were perhaps a dozen Palestinian men, mostly in their thirties – my age. No soldiers were visible at the entrance to the checkpoint, a precaution against suicide bombers. We saw only steel and concrete. I followed the other men through a metal detector into a stark corridor and followed instructions barked from a loudspeaker – Remove your belt! Lift up your shirt! The voice belonged to a soldier watching us on a closed-circuit camera. Exiting the checkpoint, adjusting my belt and clothing with the others, I felt like a being less than entirely human and understood, not for the first time, how a feeling like that would provoke someone to violence.

Consumers of news will recognize this scene as belonging to the Israeli occupation of the West Bank, which keeps the 2.5 million Palestinians in that territory under military rule, and has since 1967. The facts of this situation aren’t much in question. This should be an issue of concern to Israelis, whose democracy, military, and society are corroded by the inequality in the West Bank. This, too, isn’t much in question.

The question we must ask, as observers of the world, is why this conflict has come over time to draw more attention than any other, and why it is presented as it is. How have the doings in a country that constitutes 0.01 percent of the world’s surface become the
focus of angst, loathing, and condemnation more than any other? We must ask how Israelis and Palestinians have become the stylized symbol of conflict, of strong and weak, the parallel bars upon which the intellectual Olympians of the West perform their tricks – not Turks and Kurds, not Han Chinese and Tibetans, not British soldiers and Iraqi Muslims, not Iraqi Muslims and Iraqi Christians, not Saudi sheikhs and Saudi women, not Indians and Kashmiris, not drug cartel thugs and Mexican villagers. Questioning why this is the case is in no way an attempt to evade or obscure reality, which is why I opened with the checkpoint leading from Bethlehem. On the contrary – anyone seeking a full understanding of reality can’t avoid this question. My experiences as a journalist provide part of the answer, and also raise pressing questions that go beyond the practice of journalism.

I have been writing from and about Israel for most of the past 20 years, since I moved there from Toronto at age 17. During the five and a half years I spent as part of the international press corps as a reporter for the American news agency The Associated Press, between 2006 and 2011, I gradually began to be aware of certain malfunctions in the coverage of the Israel story – recurring omissions, recurring inflations, decisions made according to considerations that were not journalistic but political, all in the context of a story staffed and reported more than any other international story on earth. When I worked in the AP’s Jerusalem bureau, the Israel story was covered by more AP news staff than China, or India, or all of the fifty-odd countries of sub-Saharan Africa combined. This is representative of the industry as a whole.

In early 2009, to give one fairly routine example of an editorial decision of the kind I mean, I was instructed by my superiors to report a second-hand story taken from an Israeli newspaper about offensive T-shirts supposedly worn by Israeli soldiers. We had no confirmation of our own of the story’s veracity, and one doesn’t see much coverage of things US Marines or British infantrymen have tattooed on their chests or arms. And yet T-shirts worn by Israeli soldiers were newsworthy in the eyes of one of the world’s most powerful news organizations. This was because we sought to hint or say outright that Israeli soldiers were war criminals, and every detail supporting that portrayal was to be seized upon. Much of the international press corps covered the T-shirt story. At around the same time, several Israeli soldiers were quoted anonymously in a school newsletter speaking of abuses they had supposedly witnessed while fighting in Gaza; we wrote no fewer than three separate stories about this, although the use of sources whose identity isn’t known to reporters is banned for good reason by the AP’s own in-house rules. This story, too, was very much one that we wanted to tell. By the time the soldiers came forward to say they hadn’t actually witnessed the events they supposedly described, and were trying to make a point to young students about the horrors and moral challenges of warfare, it was, of course, too late.

Also in those same months, in early 2009, two reporters in our bureau obtained details of a peace offer made by the Israeli Prime Minister, Ehud Olmert, to the Palestinians several months before, and deemed by the Palestinians to be insufficient. The offer proposed a Palestinian state in the West Bank and Gaza with a capital in a shared Jerusalem. This should have been one of the year’s biggest stories. But an Israeli peace offer and its rejection by the Palestinians didn’t suit OUR story. The bureau chief ordered both reporters to ignore the Olmert offer, and they did, despite a furious protest from one of them, who later termed this decision “the biggest fiasco I’ve seen in 50 years of journalism.” But it was very much in keeping not only with the practice at the AP, but in the press corps in general. Soldiers’ vile t-shirts were worth a story. Anonymous and unverifiable testimonies of abuses were worth three. A peace proposal from the Israeli prime minister to the Palestinian president was not to be reported at all.

Vandalism of Palestinian property is a story. Neo-Nazi rallies at Palestinian universities or in Palestinian cities are not — I saw images of such rallies suppressed on more than one occasion. Jewish hatred of Arabs is a story. Arab hatred of Jews is not. Our policy, for example, was not to mention the assertion in the Hamas founding charter that Jews were responsible for engineering both world wars and the Russian and French revolutions, despite the obvious insight this provides into the thinking of one of the most influential actors in the conflict.

100 houses in a West Bank settlement are a story. 100 rockets smuggled into Gaza are not. The Hamas military buildup amid and under the civilian population of Gaza is not a story. But Israeli military action responding to that threat – that is a story, as we all saw this summer. Israel’s responsibility for the deaths of civilians as a result – that’s a story. Hamas’s responsibility for those deaths is not. Any reporter from the international press corps in Israel, whether he or she works for the AP, Reuters, CNN, the BBC, or elsewhere, will recognize the examples I’ve cited here of what is newsworthy and what is not as standard operating procedure.

In my time in the press corps I saw, from the inside, how Israel’s flaws were dissected and magnified, while the flaws of its enemies were purposely erased. I saw how the threats facing Israel were disregarded or even mocked as figments of the Israeli imagination, even as these threats repeatedly materialized. I saw how a fictional image of Israel and of its enemies was manufactured, polished, and propagated to devastating effect by inflating certain details, ignoring others, and presenting the result as an accurate picture of reality. Lest we think this is something that has never happened before, we might remember Orwell’s observation about journalism from the Spanish civil war: “Early in life,” he wrote, “I had noticed that no event is ever correctly reported in a newspaper, but in Spain, for the first time, I saw newspaper reports which do not bear any relation to the facts, not even the relationship which is implied in an ordinary lie. … I saw, in fact, history being written not in terms of what had happened but of what ought to have happened according to various ‘party lines.’” That was in 1942.

Over time, I came to understand that the malfunctions I was witnessing, and in which I was playing a part, were not limited to the AP. I saw that they were rather part of a broader problem in the way the press functioned, and in how it saw its job. The international press in Israel had become less an observer of the conflict than a player in it. It had moved away from careful explanation and toward a kind of political character assassination on behalf of the side it identified as being right. It valued a kind of ideological uniformity from which you were not allowed to stray. So having begun with limited criticism of certain editorial decisions, I now found myself with a broad critique of the press.

Eventually, however, I realized that even the press wasn’t the whole story. The press was playing a key role in an intellectual phenomenon taking root in the West, but it wasn’t the cause, or not the only cause – it was both blown on a certain course by the prevailing ideological winds, and causing those winds to blow with greater force. Many journalists would like you to believe that the news is created by a kind of algorithm – that it’s a mechanical, even scientific process in which events are inserted, processed, and presented. But of course the news is an imperfect and entirely human affair, the result of interactions between sources, reporters, and editors, all of whom bear the baggage of their background and who reflect, as we all do to some extent, the prejudices of their peers.

In the aftermath of last summer’s Gaza war, and in light of events in Europe in recent months, it should be clear that something deep and toxic is going on. Understanding what that is, it seems to me, will help us understand something important not only about journalism but about the Western mind and the way it sees the world.

What presents itself as political criticism, as analysis, or as journalism, is coming to sound more and more like a new version of a much older complaint – that Jews are troublemakers, a negative force in world events, and that if these people, as a collective, could somehow be made to vanish, we would all be better off. This is, or should be, a cause for alarm, and not only among people sympathetic to Israel or concerned with Jewish affairs. What is in play right now has less to do with the world of politics than with the worlds of psychology and religion, and less to do with Israel than with those condemning Israel.

The occupation of the West Bank, with which I opened, would seem to be at the heart of the story, the root cause, as it were, of the conflict portrayed as the most important on earth. A few words, then, about this occupation.

The occupation was created in the 1967 Mideast war. The occupation is not the conflict, which of course predates the occupation. It is a symptom of the conflict, a conflict that would remain even if the symptom were somehow solved. If we look at the West Bank, the only Palestinian area currently occupied by Israel, and if we include Jerusalem, we see that the conflict in these areas claimed 60 lives last year – Palestinian and Israeli.

An end to this occupation would free Palestinians from Israeli rule, and free Israelis from ruling people who do not wish to be ruled. Observers of the Middle East in 2015 understand, too, that an end to the occupation will create a power vacuum that will be filled, as all power vacuums in the region have been, not by the forces of democracy and modernity, which in our region range from weak to negligible, but by the powerful and ruthless, by the extremists. This is what we’ve learned from the unraveling of the Middle East in recent years. This is what happened in Iraq, Syria, Libya, Yemen, and Egypt, and before that in Gaza and southern Lebanon. My home in Jerusalem is within an easy day’s drive of both Aleppo and Baghdad. Creating a new playground for these forces will bring the black-masked soldiers of radical Islam within yards of Israeli homes with mortars, rockets, and tunneling implements. Many thousands will die.

Beyond the obvious threat to Palestinian Christians, women, gays, and liberals, who will be the first to suffer, this threatens to render much or all of Israel unlivable, ending the only safe progressive space in the Middle East, the only secure minority refuge in the Middle East, and the only Jewish country on earth. No international investment or guarantees, no Western-backed government or Western-trained military will be able to keep that from happening, as we have just seen in Iraq. The world will greet this outcome with sincere expressions of sympathy. Only several years ago I, like many on the left, might have dismissed this as an apocalyptic scenario. It isn’t. It is the most likely scenario.

People observing this conflict from afar have been led to believe that Israel faces a simple choice between occupation and peace. That choice is fiction. The Palestinian choice, it is said, is between Israeli occupation and an independent democracy. That choice, too, is fiction. Neither side faces a clear choice, or clear outcomes. Here we have a conflict in a region of conflict, with no clear villain, no clear victim, and no clear solution, one of many hundreds or thousands of ethnic, national, and religious disputes on earth.

The only group of people subject to a systematic boycott at present in the Western world is Jews, appearing now under the convenient euphemism “Israelis.” The only country that has its own “apartheid week” on campuses is the Jewish country. Protesters have interfered with the unloading of Israeli shipping on the West Coast of the United States, and there are regular calls for a boycott of anything produced in the Jewish state. No similar tactics are currently employed against any other ethnic group or nationality, no matter how egregious the human rights violations attributed to that group’s country of origin.

Anyone who questions why this is so will be greeted with shouts of “the occupation!”, as if this were explanation enough. It is not. Many who would like to question these phenomena don’t dare, for fear that they will somehow be expressing support for this occupation, which has been inflated from a geopolitical dilemma of modest scope by global standards into the world’s premier violation of human rights.

The human costs of the Middle Eastern adventures of America and Britain in this century have been far higher, and far harder to explain, than anything Israel has ever done. They have involved occupations, and the violence they unleashed continues as I speak here this evening. No one boycotts American or British professors. Turkey is a democracy, and a NATO member, and yet its occupation of northern Cyprus and long conflict with the stateless Kurds – many of whom see themselves as occupied – are viewed with a yawn; there is no “Turkish Apartheid Week.” The world is full of injustice. Billions of people are oppressed. In Congo, 5 million people are dead. The time has come for everyone to admit that the fashionable disgust for Israel among many in the West is not liberal but is selective, disproportionate, and discriminatory.

There are simply too many voices coming from too many places, expressing themselves in too poisonous a way, for us to conclude that this is a narrow criticism of the occupation. It’s time for the people making these charges to look closely at themselves, and for us to look closely at them.

Naming and understanding this sentiment is important, as it is becoming one of the key intellectual trends of our time. We might think of it as the “Cult of the Occupation.” This belief system, for that it what it is, uses the occupation as a way of talking about other things.

As usual with Western religions, the center of this one is in the Holy Land. The dogma posits that the occupation is not a conflict like any other, but that it is the very symbol of conflict: that the minute state inhabited by a persecuted minority in the Middle East is in fact a symbol of the ills of the West – colonialism, nationalism, militarism, and racism. In the recent riots in Ferguson, Missouri, for example, a sign hoisted by marchers linked the unrest between African Americans and the police to Israeli rule over Palestinians.

The cult’s priesthood can be found among the activists, NGO experts, and ideological journalists who have turned coverage of this conflict into a catalogue of Jewish moral failings, as if Israeli society were different from any other group of people on earth, as if Jews deserve to be mocked for having suffered and failed to be perfect as a result.

Most of my former colleagues in the press corps aren’t full-fledged members of this group. They aren’t true believers. But boycotts of Israel, and only of Israel, which are one of the cult’s most important practices, have significant support in the press, including among editors who were my superiors. Sympathy for Israel’s predicament is highly unpopular in the relevant social circles, and is something to be avoided by anyone wishing to be invited to the right dinner parties, or to be promoted. The cult and its belief system are in control of the narrative, just as the popular kids in a school and those who decide what clothes or music are acceptable. In the social milieu of the reporters, NGO workers, and activists, which is the same social world, these are the correct opinions. This guides the coverage. This explains why the events in Gaza this summer were portrayed not as a complicated war like many others fought in this century, but as a massacre of innocents. And it explains much else.

So prevalent has this kind of thinking become that participating in liberal intellectual life in the West increasingly requires you to subscribe at least outwardly to this dogma, particularly if you’re a Jew and thus suspected of the wrong sympathies. If you’re a Jew from Israel, your participation is increasingly conditional on an abject and public display of self-flagellation. Your participation, indeed, is increasingly unwelcome.

What exactly, is going on?

Observers of Western history understand that at times of confusion and unhappiness, and of great ideological ferment, negative sentiment tends to coagulate around Jews. Discussions of the great topics of the time often end up as discussions about Jews.

In the late 1800s, for example, French society was riven by the clash between the old France of the church and army, and the new France of liberalism and the rule of law. The French were preoccupied with the question of who is French, and who is not. They were smarting from their military humiliation by the Prussians. All of this sentiment erupted around the figure of a Jew, Alfred Dreyfus, accused of betraying France as a spy for Germany. His accusers knew he was innocent, but that didn’t matter; he was a symbol of everything they wanted to condemn.

To give another example: Germans in the 1920s and ‘30s were preoccupied with their humiliation in the Great War. This became a discussion of Jewish traitors who had stabbed Germany in the back. Germans were preoccupied as well with the woes of their economy – this became a discussion of Jewish wealth, and Jewish bankers.

In the years of the rise of Communism and the Cold War, communists concerned with their ideological opponents talked about Jewish capitalists and cosmopolitans, or Jewish doctors plotting against the state. At the very same time, in capitalist societies threatened by communism, people condemned Jewish Bolsheviks.

This is the face of this recurring obsession. As the journalist Charles Maurras wrote, approvingly, in 1911: “Everything seems impossible, or frighteningly difficult, without the providential arrival of anti-Semitism, through which all things fall into place and are simplified.”

The West today is preoccupied with a feeling of guilt about the use of power. That’s why the Jews, in their state, are now held up in the press and elsewhere as the prime example of the abuse of power. That’s why for so many the global villain, as portrayed in newspapers and on TV, is none other than the Jewish soldier, or the Jewish settler. This is not because the Jewish settler or soldier is responsible for more harm than anyone else on earth – no sane person would make that claim. It is rather because these are the heirs to the Jewish banker or Jewish commissar of the past. It is because when moral failure raises its head in the Western imagination, the head tends to wear a skullcap.

One would expect the growing scale and complexity of the conflict in the Middle East over the past decade to have eclipsed the fixation on Israel in the eyes of the press and other observers. Israel is, after all, a sideshow: The death toll in Syria in less than four years far exceeds the toll in the Israel-Arab conflict in a century. The annual death toll in the West Bank and Jerusalem is a morning in Iraq.

And yet it is precisely in these years that the obsession has grown worse. This makes little sense, unless we understand that people aren’t fixated on Israel despite everything else going on – but rather because of everything else going on. As Maurras wrote, when you use the Jew as the symbol of what is wrong, “all things fall into place and are simplified.”

The last few decades have brought the West into conflict with the Islamic world. Terrorists have attacked New York, Washington, London, Madrid, and now Paris. America and Britain caused the unraveling of Iraq, and hundreds of thousands of people are dead there. Afghanistan was occupied and thousands of Western soldiers killed, along with countless civilians – but the Taliban are alive and well, undeterred. Ghaddafi was removed, and Libya is no better off. All of this is confusing and discouraging. It causes people to search for answers and explanations, and these are hard to come by. It is in this context that the Cult of the Occupation has caught on. The idea is that the problems in the Middle East have something to do with Jewish arrogance and perfidy, that the sins of one’s own country can be projected upon the Western world’s old blank screen. This is the idea increasingly reflected on campuses, in labor unions, and in the media fixation on Israel. It’s a projection, one whose chief instrument is the press.

As one BBC reporter informed a Jewish interviewee on camera several weeks ago, after a Muslim terrorist murdered four Jewish shoppers at a Paris supermarket, “Many critics of Israel’s policy would suggest that the Palestinians suffered hugely at Jewish hands as well.” Everything, that is, can be linked to the occupation, and Jews can be blamed even for the attacks against them. This isn’t the voice of the perpetrators, but of the enablers. The voice of the enablers is less honest than that of the perpetrators, and more dangerous for being disguised in respectable English. This voice is confident and growing in volume. This is why the year 2015 finds many Jews in Western Europe eyeing their suitcases again.

The Jews of the Middle East are outnumbered by the Arabs of the Middle East 60 to 1, and by the world’s Muslims 200 to 1. Half of the Jews in Israel are there because their families were forced from their homes in the 20th century not by Christians in Europe, but by Muslims in the Middle East. Israel currently has Hezbollah on its northern border, al-Qaeda on its northeastern and southern borders, and Hamas in Gaza. None of these groups seek an end to the occupation, but rather openly wish to destroy Israel. But it is naïve to point out these facts. The facts don’t matter: We are in the world of symbols. In this world, Israel has become a symbol of what is wrong – not Hamas, not Hezbollah, not Great Britain, not America, not Russia.

I believe it’s important to recognize the pathologies at play in order to make sense of things. In this context it’s worth pointing out that I’m hardly the first to identify a problem – Jewish communities like this one, and particularly organizations like Bicom, identified a problem long ago, and have been expending immense efforts to correct it. I wish this wasn’t necessary, and it shouldn’t be necessary, but it undoubtedly is necessary, and becoming more so, and I have great respect for these efforts. Many people, particularly young people, are having trouble maintaining their balance amid this ideological onslaught, which is successfully disguised as journalism or analysis, and is phrased in the language of progressive politics. I would like to help them keep their bearings.

I don’t believe, however, that anyone should make a feeling of persecution the center of their identity, of their Judaism, or of their relationship with Israel. The obsession is a fact, but it isn’t a new fact, and it shouldn’t immobilize us in anger, or force us into a defensive crouch. It shouldn’t make us less willing to seek to improve our situation, to behave with compassion to our neighbors, or to continue building the model society that Israel’s founders had in mind.

I was in Tel Aviv not long ago, on Rothschild Boulevard. The city was humming with life. Signs of prosperity were everywhere, in the renovated Bauhaus buildings, in the clothes, the stores. I watched the people go by: Kids with old bikes and tattoos, businesspeople, men with women, women with women, men with men, all speaking the language of the Bible and Jewish prayer. The summer’s Hamas rockets were already a memory, just a few months old but subsumed in the frantic, irrepressible life of the country. There were cranes everywhere, raising new buildings. There were schoolchildren with oversize knapsacks, and parents with strollers. I heard Arabic, Russian, and French, and the country went about its business with a potent cheer and determination that you miss if all you see are threats and hatred. There have always been threats and hatred, and it has never stopped us. We have enemies, and we have friends. The dogs bark, as the saying goes, and the convoy rolls by.

One of the questions presented to us by the wars of the modern age is what now constitutes victory. In the 21st century, when a battlefield is no longer conquered or lost, when land isn’t changing hands and no one ever surrenders, what does it mean to win?

The answer is that victory is no longer determined on the battlefield. It’s determined in the center, in the society itself. Who has built a better society? Who has provided better lives for people? Where is there the most optimism? Where can the most happy people be found? One report on world happiness ranked Israel as the 11th happiest country on earth. The UK was 22nd.

Israel’s intellectual opponents can rant about the moral failings of the Jews, obscuring their obsession in whatever sophisticated way they choose. The gunmen of Hamas and their allies can stand on heaps of rubble and declare victory. They can fire rockets, and shoot up supermarkets. But if you look at Tel Aviv, or at any thriving neighborhood in Jerusalem, Netanya, Rishon Letzion, or Haifa, you understand that this is victory. This is where we’ve won, and where we win every day.

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Eco Friendly Hotel, Spa & Farm

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Mizpe Hayamim Hotel, Spa and Organic Farm
If you are planning to explore the Galilee in the North of Israel, Mizpe Hayamin is worth considering as, not only is it in a good position to explore the area but it is also provides a relaxing environment. Near to Rosh Pina and Safed, the home of Kabbalah, the 97 bed hotel is located in the midst of an organic, eco-friendly farm. The hotel is as self sufficient as it can be growing over 100 different vegetables and 70 varieties of fruit. There are also goats, sheep, and cows from which they make their own bread and cheese.
The benefit of this to guests is the wonderful selection of really fresh food in the main restaurant. Although it is buffet style, which to me is usually down-market, here it is not the case. There is so much choice including hot fish and meat dishes, but it is also a haven for vegetarians because of the variety and choice of dishes. There is also a ‘posh’ restaurant where guests are served at the table. However the food here is at a supplement and given that their main restaurant is so good, we found that we were the only diners on the evening we ate. Well, at least, we had excellent service!
Situated in a wonderful position 600 metres above sea level the farm, which covers more than 150 acres, overlooks the Sea of Galilee with views of the Golan Heights.
The hotel is more like a spa with a very relaxed atmosphere. You are likely to see people in towelling dressing gowns or very casual gear. For those up at 6.50am there is a walk around the farm. During the day there is a variety of classes from painting to ceramics to more energetic workouts in the gym. Needless to say there is a spa offering lots of treatments, a big swimming pool, and an outdoor hot tub.
Read my article on the Galilee on the website JustAboutTravel at

http://www.justabouttravel.net/2015/01/12/healthy-israel/

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Pop Artist Allen Jones at the Royal Academy

Kate Moss

Kate Moss

British Pop Artist Allen Jones’ Exhibition opens at the Royal Academy

Allen Jones’ first major exhibition opens in the Burlington Gardens exhibition rooms of the Royal Academy on November 13, 2014. Hailed as a key figure of British Pop Art in the sixties, nearly 100 works are being exhibited some never shown before, which chart his development over five decades. Drawings, sculptures, some three-dimensional, maquettes, and furniture focus on his depictions of the female figure up until the present day.

Jones’ reputation was established at the Royal College of Art, London where his contemporaries included David Hockney and Derek Bolshier. The table that brought him into the limelight was created at a time when women’s feminism was being brought into question although apparently it hadn’t been his intention to shock but rather make a radical statement. His work has also been influenced by frequent visits to America. He has been a member of the Royal Academy since 1984.

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45 minute introductory talks are free with an exhibition ticket on Thursdays between November 13 and January 15 at 2.30pm. The exhibition runs until January 25, 2015.

Entrance £11.50 (£10 without Gift Aid donation)

www.royalacademy.org.uk T. 020 7300 8000

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